This short sequence was created using Google DeepMind Veo 3.1, as part of an experimental test exploring how generative AI can recreate the atmosphere of historical cinema.
What happens when AI dreams of fashion? “OXWELL SS26” — an experimental short where artificial intelligence becomes the designer, the model, and the camera.
Created entirely with generative AI tools, Room 6 blends classic film noir atmosphere with psychological horror and digital surrealism. A dark, cinematic experiment about identity, fear, and the strange comfort of repetition.
This film tells a story of loyalty so profound it can overcome any distance—and what happens when nothing is left waiting at the end of that road. But what makes it unique is the fact that it wasn’t shot with a traditional camera.
The Archivist is an experimental short film about memory, time, and the stories we leave behind. A single loft in New York becomes a stage where different eras flicker into existence — from medieval chambers and Renaissance courts to Victorian salons, smoky clubs, and futuristic rooms.
The film, in the convention of poetic auteur cinema, represents a technological and artistic experiment – generative AI tools have replaced the physical film camera here, capturing the world and emotions of the characters. It’s a story about silence that can scream, and about a moment when one unexpected event can change everything, revealing a truth more painful than years of separation.
This is a behind-the-scenes teaser for a short film I’m currently working on. Think of it as a warm-up—or just a conversation with a machine.
This behind-the-scenes film and music video are an artistic concept, an independent creative exercise demonstrating the current capabilities of artificial intelligence tools.
MC Walzer – GVB (Grande Valse Brillante) (Official Music Video) ft. DJ Bass Odyssey
This short film was created as part of the AI hackathon “AI Creative Challenge” and received the “Pushing Boundaries” award for its bold artistic vision.
Trapped after hours in an empty office and bathed in dramatic light and shadow, an introverted employee follows the lead of a mysterious jar of eyeballs—only to discover that the boundary between nightmare and reality is disturbingly thin.
This video is my entry for the Lenovo Poland competition to create an original advertisement for one of their products—entirely generated by artificial intelligence. The entry received 2nd place in the competition
“The Last Discovery” is a thrilling documentary-style sci-fi film that uncovers a long-hidden secret buried deep in the desert. In the 1960s, a mysterious artifact was found, only to be locked away by government authorities.
Fractal Echoes is a short experimental film that explores the existential themes of identity, memory, and time. The story follows a protagonist who witnesses the disappearance of their reflection, triggering a surreal journey through fragmented realities.
This project is an artistic journey where artificial intelligence transforms the works of renowned painting masters into contemporary photographs.
The film, “Grateful: A Declaration of Admiration and Gratitude to the United States,” is a dynamic journey into one of the most extraordinary initiatives in Polish history.
A three-part film series entitled “Mordy. The House at the End of the Road,” which provides a vivid portrayal of the community of a small town in eastern Poland, set against the backdrop of major events in the first half of the 20th century.
City panorama timelapse of Warsaw a capital of Poland. Cienematography by Jacek Kadaj
This is short film about empty Warsaw city in Poland during first days of coronavirus epidemic in March 2020.
DiAnti – Na szczyt! – teledysk. Zdjęcia: Tomek Paczkowski , Jacek Kadaj, Montaż: Jacek Kadaj
Teledysk “Pożegnanie” zespołu DiAnti. Realizacja: Jacek kadaj
Almost at the End of the World – Slow Food, Country Style. Produced by Jacek Kadaj
